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Ambient techno is a subgenre of that incorporates the atmospheric textures of with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as , , , The Future Sound of London, the Black Dog, and Biosphere.


Characteristics and influences
states that ambient techno, building off the scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental " with 's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of , , and with the rhythms of urban dance styles such as techno and . Ambient techno artists returned to the instruments of the and scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed and subtle drum programming that moved beyond the simple patterns of 4/4 techno and , while artists typically de-emphasized sampling.

One principal influence on the genre was the 1984 album E2-E4 by German musician Manuel Göttsching. The Orb's 1991 album Adventures Beyond the Ultraworld would inspire -influenced ambient techno. noted the genre's similarities with new age: "swaddling the listener in a womblike sound bath, it means retreat from the environment, relief from the stresses of urban existence." Critic characterized the style as a "post-rave genre" meant "for immobile contemplation," comparing it to "the aqua-mysticism and forest idylls of ."

The style would be associated with labels such as , Apollo, GPR, and , with releases focusing more on than 12-inch singles.


History

Origins
Ambient techno departed from the communal, dance-oriented sound heard at and instead gained popularity in the early 1990s as a form of "electronic listening music." Artists such as , the Black Dog, and produced early works in the style. Carl Craig's early releases as part of the scene (later collected on the compilation Elements 1989-1990) showcased an ambient style of "narcoleptic, interior techno," and would inspire UK artists aiming to make atmospheric listening music. 's 1991 recording "Analogue Bubblebath" would also signal a shift toward meditative, ambient-leaning techno, while his 1992 debut LP Selected Ambient Works 85-92 became "the flagship of the emergent genre" according to . Producer released a prodigious amount of music in the genre, starting the label Fax in 1992 and becoming a "spiritual leader" of the movement.

Other prominent artists in the style included , Global Communication, Higher Intelligence Agency, and Future Sound of London. According to , early classics of the era included Aphex Twin's debut LP, Ultramarine's Every Man and Woman Is a Star (1991), Biosphere's Microgravity (1991), and the Orb's U.F.Orb (1992). Author Sean Albiez added Higher Intelligence Agency's (1992) and the Black Dog's Temple of Transparent Balls (1993) as early examples.

(2025). 9781501326103, Bloomsbury. .
The release of Warp's Artificial Intelligence compilation in 1992 helped to establish the genre and featured ambient techno pioneers such Aphex Twin, B12, , the Black Dog, , and the Orb's . B12's 1993 Warp album was also called a classic of ambient techno by . characterized 's early-90s work under his 7th Plain moniker as important to the style's development. Following the release of Warp's Artificial Intelligence series, the genre developed further into the "intelligent techno" scene.


Developments
During the 1990s, compilation series such as Chill Out or Die popularized ambient techno and . In reaction against the more "cozy" features of the early ambient techno scene, some artists would move toward a darker sound heard on releases such as Aphex Twin's Selected Ambient Works Volume II (1994) and projects by other "ambient noir-ists" such as and the duo of & . 's 1994 compilation Isolationism served as a summary of this darker tendency.

In the early-to mid-1990s, a small network of ambient techno artists developed around the Berlin-based labels and Chain Reaction. In 1995, producer began releasing influential ambient techno projects as Gas, bringing together lush and expansive atmospheres with 4/4 beats. Voigt co-runs the German label , which has released installments of the influential ambient techno compilation series Pop Ambient annually since 2001.


See also

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